The diptychs echo ancient bas-reliefs and symbolic traditions. Based on the same matrix drawing, geometry becomes a language of resonnance. The circular structure evoke an energetic cartography, like a field of forces or a wave of light unfolding from a center.

The natural gradients and delicate cuts echo the aesthetics of French marquetry. The light seems to emanate from the very grain of the engraved wood-cardboard, rising through the filigrees the burn carves — a dynamic, shifting sheen, slightly hazy at the edge. This combination creates an almost vibrating presence, as if the material carried its own inner luminosity.

This rigorous composition resembles a constructed language, a geometric codex in which each segment, arc and tonal shift follows its own internal logic. The work invites both contemplation and interpretation, like a silent script carved into the material.

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