ANCIENT GREECE WRITTINGS & WINGED FIGURES

She notably studied The Metamorphoses and Art of Love by Ovid, as well as the thought of Heraclitus of Ephesus, a pre-Socratic Greek philosopher, known for his thought based on constant change and the dialectic of opposites.
She has been inspired by stories from Greek mythology, especially those involving winged figures.

---

SOLARIS > ICARUS & DAEDALUS | CODEX

In this series, several themes are covered, overlapping and intertwining around SOLARIS, which is the masterpiece and the first artwork, created in 2015. ＋

It explores the myth of Icarus and his wings, burned by the sun, as well as Daedalus, the skillful architect who crafted them and designed the Labyrinth that held the Minotaur in Crete.

She has given a special place to the theme of the maze. To bring these layered narratives into visual form, she used laser cutting, burning into the cardboard to plot and inscribe the blueprint matrix she had designed.
The geometric visual poetry of the style resembles the enigmatic symbolic cryptography of a codex — a language to be deciphered, compelling us to reflect on existential questioning.

---

THE WINGS OF THE DESIRE > LOVE

Her work is infused with the same allegorical spirit as her favorite Berlin film, Wings of Desire by Wim Wenders. "I like the meditave tone of the film." It reflects the angels’ perspective—silent, invisible observers of human life—and speaks of the beauty and power of love, the magnetic force that moves us deeply. ＋

She explores the process of emotional synchronization in love, drawing on the story of Andromache from Homer’s Iliad, as reinterpreted by 17th-century French writer Racine. 'Orestes loves Hermione, who loves Pyrrhus, who loves Andromaque, who loves Hector. Hector is dead...' — a reflection of four characters caught in a cycle of unsynchronized emotions.

---

Her work is imbued with spirituality, as well as the notions of time and emotion.
The French Plastian - Designer Virginie Knysak make these themes colliding in the tableaux,
giving them a unique oniric charactere and reflecting her artistic stance.
She uses a visual dichocomy: clear lines get blurred by the treatement she gaves to the materials,
creating a tension between strenght and fragility.